Carol Chan
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Jorge Palma, poet and storyteller, was born in 1961 in Montevideo, Uruguay, where he still lives. For many years he has worked for newspapers and radio stations, and has also run creative writing workshops, both poetry and prose. His poetry collections are Entre el viento y la sombra (1989), El olvido (1990), La via láctea (2006), Diarios del cielo (2006) and Lugar de las utopias (2007).
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Peter Boyle (b. 1951) lives in Sydney. His first collection of poetry Coming home from the world (1994) received the National Book Council Award and the New South Wales Premier’s Award. Other collections include The Blue Cloud of Crying (1997), What the painter saw in our faces (2001) and Museum of Space (2004). His most recent book Apocrypha (2009) is an extensive collection of poems and other texts by a range of imaginary authors.
Un Rio Ancho Con Sabor A Otoño
Del rojo al verde
se muere el amarillo
G.Apollinaire
Tú que tienes la precisión
prendida en la solapa:
¿a cuánto estamos hoy?
El olor de la tierra húmeda
trae en los bolsillos
noticias del mundo:
del rojo al verde
se muere el amarillo;
de mi casa al mercado
se mueren los niños
en el desierto.
Los noticieros hablan
de la guerra
y el cielo avanza.
Los noticieros hablan
de tormentas de arena
en el desierto
y los pájaros emigran
en mi cielo de otoño.
Mientras enciendo un cigarrillo
mientras la ropa
se seca al sol
se mueren los niños
en el desierto.
Del rojo al verde
se muere el amarillo.
Y las casas son abandonadas
por sus dueños,
y las viudas dejan flores
en la mitad de las camas
y se marchan,
se cubren la piel
con sus trapos de viuda
con sus pañuelos de luto
con sus ropas de humo
y caminan
por el borde del cielo
y caminan por las orillas
del mundo.
En mi patio con macetas
caen flores del cielo
y caen también
pájaros atravesados
por el sonido de la guerra,
y se despiertan las madres
bajo otro cielo
y en los mercados
las frutas, los pescados,
los pregones, no tienen
sonidos de luto,
ni hay viudas huyendo
a las fronteras
ni hay temblores de tierra
ni nadie sacude vidrio molido
de las mantas
ni los curas barren los escombros
de las catedrales y las iglesias
ni en mi cielo de otoño
contemplo esta mañana
la inmensa peregrinación
de ataúdes y pañuelos
que en algún lugar del mundo
se desatan; el polvo, la arena,
el desierto abrasador,
donde dicen estuvo el Paraíso
el Paraíso anhelado
a punto de perderse,
donde un niño sueña todavía
que tiene brazos
una familia, y sus piernas
inquietas de doce años
corren por las inmensas
arenas y salta, busca
nubes, desafía las leyes
de la física, soñando
por las tierras de Ur
a la sombra monumental
de las ruinas de Babilonia.
Del rojo al verde
se muere el amarillo.
Entre tu pecho
y el mío
se muere el amarillo.
entre tus alas y mi sueño
se muere el amarillo.
Entre tus piernas
y las mías
se muere el otoño,
a cuatro metros del cielo
por venir
a cuatro gotas de lluvia
o de rocío
a tres días de un disparo
demoledor y ciego
a dos minutos de la gloria
o el fracaso
a un segundo que aguarda
goteando el alba
tu boca de luz
tu llama
para contrarrestar acaso
ese grito que vuela incesante
entre dos ríos que llevan
la muerte
ese aullido que cruza el cielo
las tormentas el calor
un grito que cruza
el desierto, tu pecho
tu morada
y golpea como un puño
de acero
las ventanas de mi cuarto,
aquí, en mi pequeño cielo
de otoño,
demasiado lejos
de los hombres recién rasurados
que no volverán a sus casas,
de las mujeres
que conversan en la puerta
de un mercado
sin saber que esa noche
dormirán con la muerte;
de los que cantaron
en las duchas
por última vez, hermosas
canciones de veinte siglos,
y no supieron nunca
de nosotros y este río
ni del nombre del río
que nos nombra y atraviesa
con su mansa identidad.
Aquí en el Sur,
donde envejecemos
mirando los ponientes.
Wide river with autumn fragrance
From red to green
yellow dies.
G. Apollinaire
You with the latest essential
glittering on your lapel,
do you even know what day it is?
In my pockets
the smell of damp earth
brings news from the world:
between red and green
yellow dies;
between my house and the shops
children die
in the desert.
The news speaks of war
and the sky moves forward.
The news talks of sandstorms
in the desert
and birds migrate
in my autumn sky.
While I light a cigarette
while the clothes
dry in the sun
children die
in the desert.
From red to green
yellow dies.
And the houses are abandoned
by their owners,
and widows leave flowers
on the middle of their beds
and walk away,
their skin covered
in widows’ rags
in handkerchiefs of mourning
clothes of smoke
and they walk
along the sky’s edge
and they walk by the shores
of the world.
On my patio with its pots
flowers fall from the sky
and birds fall
transfixed by the sounds of war,
and mothers wake up
under a changed sky
and in the marketplaces
fruit, fish,
the cries of people buying and selling,
don’t bear the weight of any
sound of grief,
there are no widows
fleeing to the frontiers
and no earthquakes
and no one removes ground-up glass
from their shirt-sleeves
and priests don’t sweep rubble
out of churches and cathedrals
and in my autumn sky
this morning I don’t contemplate
the enormous journeys
of coffins and handkerchiefs
that in some place in the world
will fall apart; dust, sand,
burning desert,
where they say Paradise was,
the longed-for about-to-vanish Paradise
where a child still dreams
he has arms
a family and legs,
the restless legs of a twelve-year-old child
who runs across immense sands,
leaps, looks for clouds,
defies the laws of physics, dreaming
in the lands of Ur
in the tremendous shadow
of a ruined Babylon.
From red to green
yellow dies.
Between your breast and mine
yellow dies.
Between your wings and my sleep
yellow dies.
Between your legs
and mine
autumn dies,
in four metres of sky
where four drops of rain
or dew
are falling,
three days from a blind
blast of gunfire,
in two minutes of glory
or disaster,
in one second of watching
dawn fall drop by drop
your mouth of light
your cry
to counterbalance perhaps
the scream soaring without pause
between two rivers
that carry death,
this howling that comes to us
across skies
storms dry heat,
a scream that crosses
the desert, your heart
your dwelling place
and like a steel fist
pounds against
the windows of my room,
here, in my small
autumn sky,
too far
from the freshly shaven men
who will never return home,
from women
chatting in a shop door
not knowing that tonight
they will sleep with death,
from those who have sung in the shower
for the last time, beautiful songs
gathered from twenty centuries,
those who never knew of us
and this river
or the name of the river
that names and crosses us
with its gentle identity.
Here in the South
where we grow old
watching the sunsets.
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Ankur Betageri, (18/11/83), is a bilingual writer based in New Delhi. His poetry collection in English is titled The Sea of Silence (2000, C.V.G. Publications.) Two collections in Kannada are titled Hidida Usiru (Breath Caught, 2004, Abhinava Prakashana)and Idara Hesaru (It’s Name, 2006, Abhinava Prakashana) He has also published a collection of Japanese Haiku translations called Haladi Pustaka (The Yellow Book, 2009, Kanva Prakashana). He holds a Masters in Clinical Psychology from Christ College, Bangalore. He co-edits the journal Indian Literature published by Sahitya Akademi and is contributing editor(India) of the Singapore-based ezine writersconnect.org. Recently, he represented India as a Poet at the III International Delphic Games held at Jeju, South Korea.
The quiet and rising tension in the jaw of the common man
You are drinking chai in the office canteen
looking out the window absentmindedly
at the unreal summer shadows of trees
thrown about carelessly
with the occasional bird
lighting the bough
and preening its brilliant wings
when suddenly you hear someone StaMMeRinG!
You look around and see
your whole inner self
in all its trembling
irritably burning
nakedness
splayed out in the shuddering body
of the ‘boy’ who serves chai.
Racked by the nervous torment that being here
has become, he is stammering
unable to utter a sensible word,
he is stammering in a terrible frothing anger
at a bully customer
and – I realize – at a world that has failed him.
I see chai-drinking chootias around me
smiling; I gulp the chai and unable to make out
what is happening to me,
unable to contain the trembling which is possessing me,
unable to go on sitting at the table, on the chair
in this stable world, in this insanely stable world
which will continue to be stable even after my death,
unable to do anything that could stop
his quaking body from stammering,
unable to do anything about the laughter
which goes on quietly massacring,
I drink chai
chai-drinking, English-speaking, afsar-cunt that I am
I continue to drink chai as if nothing has happened,
as if nothing will ever happen,
as if the trembling within me has
nothing to do with what is outside
as if yoga, meditation, shitty self-help books
are what I require,
as if happy hours at the bar, Sunday-sair with a girl
would instantly restore me to normalcy –
ah happy-cunt of the great Indian middle class!
ah intellectual-cunt debating in news channels!
ah corporate-cunt discussing growth in ac boardrooms!
ah poet-cunt churning out verse for international journals!
ah bollywood-cunt selling flaccid dreams to the poor!
ah cunt on the election poster
ah cunt in the complicit rooms of police stations!
ah cunt selling merchandize and noise on FM channels!
ah cunt running newspaper by splattering naked bodies of women!
ah student-cunt fornicating and agitating in college campuses!
ah actor-cunt asking us to end poverty from your palaces!
ah brand-ambassador-cunt for fair skin, white teeth and slim hips!
ah soulless empire of cunts
looking down from hoardings, ad-widgets and social-networking sites!
I shall exorcise myself of you and your ghosts!
I shall speak now of the wrongs, speak now of the murders
I really have had enough of your chai!
I – the Cunt with a Conscience – shall master this human trembling
I shall rescue from the rot this precious inner feeling
I shall hug the fevered hearts and speak for all those
still
stammering.
The Indian Soul
for Shri Vidiadhar Surajprasad Naipaul
The Indian soul is pure
no amount of money, corruption and sophistry in the world of high art
can corrupt its soul
look at the Indian dog licking at the worn out tyres of a Maruti 800
look at its eyes and you know it is sacred
its hungry and cold in the misty Delhi winter
and you can weep out of pity for it
(my head grows soft like a peeled cucumber
as my face weeps inside the cheeks)
but the dog doesn’t need my pity
it feels my love and runs away barking
as if its dangerous to linger in my pity…
The Indian women are pure
I loathe them and call them rubbish
and they let me go
yes, they tried to shackle my heart, break my spirit
yes, they enticed me with the dream of babies
BUT when they saw my purpose they let me go
I slept over them like on the warm sunny beaches
and looked at the sun take the sea with it
and when I rose they fell off my body
like so much sand,
they never stuck to me –
(it was I who stuck to them
coming in the way of their life in comfortable cars
bearing sun-faced babies and listening to technicolour songs –
and when they saw that my spirit was getting muddy
in the warm pools of their cosy homes
it was they who kicked me out
complementing me, indirectly:
you are too much for us, too much!)
The Indian women are pure
they mind their business and know
each one has his own destiny to fulfill –
Just look at the beautiful women in the sarees
how graceful their movement and many-splendored their bangled hands!
its just that they are not for me
and they smile at me warmly and let me go
and I smile back at them happily, flapping my wings.
The Indian soul, no matter how deep in the muck it gets pushed
is pure and full of joy
look at the Indian cow lying on a bed of its own dung
look at the buffaloes wallowing in their own shit
but still giving – two times a day – pure white milk!
look into the buffalo’s eyes
can anyone be as calm and quietly contented as her?
The Indian soul is pure and joyous and sacred
and no amount of western shit splattered on the shop fronts
hoardings and newspapers can change it –
Half-naked women swing hips to tasteless tunes of bollywood?
Let them! Let the buffoons and jokers pass themselves off as heroes
and once done, let them do netagiri
folding hands, showing teeth and all –
none of it is going to change the Indian soul
it will always be deep and pure and joyous
away from all that is ephemeral!
The Indian soul – no kidding, guys, – is pure
(no, not as pure as the beauty soap just taken out of the box
like they show us in the ads
but pure in a way our drugged imagination cannot even conceive –)
Deep in the Delhi night
I breathe the glacier-pure air
it quivers in my nostrils, in my lungs, in my hair
I breathe in the great expanse
and breathe it back in space
The Indian soul is us, a will that has found its sap
the Indian soul is us, a light that cannot be stopped
and India is the earth, whose map cannot be drawn.
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