Kent MacCarter

KM by Nicholas walton-HealeyKent MacCarter is a writer and editor in Castlemaine, with his wife and son. He’s the author of three poetry collections – In the Hungry Middle of Here (Transit Lounge, 2009),Ribosome Spreadsheet (Picaro Press, 2011) and Sputnik’s Cousin (Transit Lounge, 2014). He is also editor of Joyful Strains: Making Australia Home (Affirm Press, 2013), a non-fiction collection of diasporic memoir. He is an active member in Melbourne PEN, and was executive treasurer on the board for Small Press Network from 2009-2013.

 

 

Jetstar to Rockhampton

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Pippa Little

 tunisiaPippa Little was born in Tanzania, raised in Scotland and now lives in Northumberland in the North East of England. She has worked as a university lecturer and tutor, a literacy development worker and as an editorial assistant and staff writer in publishing. In September 2015 she takes up a Royal Literary Fellowship at the University of Newcastle. Her collection Overwintering came out from OxfordPoets/Carcanet in 2012 and was shortlisted for the Seamus Heaney Centre Prize.

 

Moon Watches Earth

She’s a whirl,
a well-head’s
surge of white,
which way
curls her feather-tail of storms?
Which tight twist
pulls clockwise
or wind-borne,
Coriolis to her equator?
How the crystals shiver
in her wedding hat
as she circle dances!
How small and silver-dented
are her sad tarantellas!

I am umbilical and dark.
Energies in me, deep-burned,
thrash unseen, grind themselves in.
I remember everything.
Turn and turn and turn,
snake-tail mouth in a Mobius spiral.
I want wild tides sometimes
to make me simple,
muscle-cut. Yet my nature
loves its treadling, these wonky spirals
almost surfacing beneath the skin.

Benjamin Dodds

unnamedBenjamin Dodds is the author of Regulator (Puncher & Wattmann, 2014). His work appears in The Best Australian Poems 2014 and was recently performed on Radio National’s Poetica program.

 

 
 

Space Age

My mother’s breasts were astronauts
drawn up close and high

in a latex matrix of Playtex warp and weft.
They manufactured the moon suits

(Playtex, not my mother’s breasts)
to swaddle men against silent death.

Twenty-one layers of failsafe stitching—
cascading redundancy

made vacuum-tight by hand
under the brief

that space is equilibrium.
No blood or breath

or saliva out there;
given the chance

the void takes its share.
I’m told I screamed each time

like depressurisation
at their smothering press

and just like those gods of Apollo
had to be fed powdered milk.

The Sky Had Turned Pale Green by Emily O’Grady

Emily O'Grady picEmily O’Grady is a PhD candidate at Queensland University of Technology, where she won the 2012 Undergraduate, and the 2013 Postgraduate Writing Prize. Her fiction and poetry have been published in The Lifted Brow, Voiceworks, and Award Winning Australian Writing.
 
 

The Sky Had Turned Pale Green

When the drama captain dived into a shallow swimming pool in my final year of school the chaplain held a vigil in the chapel every lunch break. Each afternoon we gathered around a battery operated candle on the teal carpet in a blobby oval, offering significant memories while eating toasted sandwiches from the tuckshop and passing around a packet of Minties or Snakes. Each session began with two minutes of silent reflection and a meditative Angelus. When it was my turn to contribute I pretended I was too distraught to speak.

The vigils came to an end when she woke as a quadriplegic twelve days afterthe fall. The administration organised a free dress day to raise money for her family to renovate their bathroom, and renamed the end of year Cabaret in her honour. On graduation her parents dressed her in the school tracksuit and styled her short hair into a braided stump for the occasion. No one had thought of a ramp to get her on the stage so she sat by the bottom of the stairs—her parents gripping her shoulders—while a scrolled diploma tied with a purple ribbon was placed in her lap and subsequently rolled onto the floor. I couldn’t tell if the mood was one of mourning or celebration. She wasn’t wearing shoes, and I remember looking at her socked feet and thinking of sleeping lambs.

Everyone seemed to indulge in the witchy ritual of the vigils and pawed over the tragedy, debating fate and God and euthanasia in the hallways and beneath the ancient, Moreton Bay fig that left a bed of glossy leaves across the brick paths. When Felicity had drowned at the end of Year Nine, her funeral was held during the Christmas holidays, so by the time the New Year came around the murky disbelief had already lifted and any opportunity for bonding or existential discussion was avoided. Though the start of term mass was combined with a memorial service, because she’d only been at the school a few months there were no significant memories for anyone to share. Up until graduation Felicity was spoken of rarely and abstractly, as though she were a hazily remembered dream or a childhood memory you couldn’t be sure wasn’t one you’d absorbed from the television.

Felicity and I knew each other through the kayaking club. Every Friday we paddled a kilometre downstream and drifted along Norman Creek. I’d been kayakingsince Year Eight, but it wasn’t until Felicity began boarding at the College that I’d come to tolerate those afternoons sweating into the Brisbane River. It was mandatory for every student to play an extracurricular sport unless they had a medical certificate. I chose kayaking because for the most part it wasn’t a team activity, and even in April and October the heat could be so oppressive that the thought of hockey or touch on the oval was unbearable.

We kayaked three afternoons a week. On Monday and Wednesday we trained for the interschool competitions held every few months, while the Fridays on Norman felt like a holiday from the repetition of sprints along the bank. The creek was always dank with mangroves, and rotting jetties that led to shacks with weathered Tibetan prayer flags strung from their porches. Cans of XXXX bobbed on the water like golden, mangled logs. When we got too close to the mangroves the tips of our paddles would stick in the silty sludge that reeked of sulphur. The creek was always silent but for the chug of the coach’s tinnie, the slurp of fibreglass being suctioned from black mud.

Felicity boarded at the College even though her parents lived in a townhouse on the other side of the river. The other boarders were from out west, or from the Torres Straight and Pacific Islands, and had home visits only for term holidays and sometimes long weekends. At the end of each week, instead of going to the boarding house Felicity would skulk up the ridged boat ramp, bare feet slick with river water, to the school gates where her mother would be waiting with a taxi.

One afternoon I followed her from the water. While the rest of the team capsized into the river in ritualistic unison, Felicity dumped her kayak on the green turf pontoon and headed to the boatshed. She never capsized, not even on purpose.

She stood by the paddle rack, fingering the fibreglass cuts along her legs: swollen welts with glistening slivers prickling the skin. I unbuckled my lifejacket and took a sip from the bubbler. The water was warm and tasted of chlorine. Felicity leant against the cement wall and wiped her wrist under her nose.

‘God, this is such rubbish,’ she said.

‘What is?’ I said.

‘This,’ she said, gesturing to nothing.

‘Did you capsize?’ I said, knowing she hadn’t.

‘No,’ Felicity said. ‘But I’m itchy.’

‘Here,’ I said, handing her a greasy bottle of baby oil from the first-aid kit. ‘You’ll get used to it.’

Felicity shrugged. She flicked open the cap with her teeth and poured oil into her hand. It pooled in her palm and leaked over her fingers.

‘Have you kayaked before?’ I said. ‘You’re pretty good.’

‘Christ no,’ she said, glazing oil onto the cuts. ‘I hate water.’

She threw the baby oil back into the first aid kit and wiped her hands on her ruggers. From the pontoon I could hear girls capsizing, shrieking like seabirds as they plunged themselves fully clothed into the river.

Though my older sister went to a public school my parents had transferred me to the all-girls Catholic College halfway through Year Eight. While most girls complained of the school’s severity I found it calming, as though I were a baby being swaddled. Jewellery and nail polish were against the dress code, and if a teacher suspected you were wearing makeup you were marched to sick bay to strip it off with witch hazel and a fistful of cotton balls.

Rather than rebelling against the rules, it evoked a sense of ferality amongst even the prettiest girls. At lunchtime they’d strip down to their underwear on the H block verandas to change into their sport uniforms. When it rained, they made no effort to take shelter, and came to class with mud-flecked calves and their bras fluorescent under soaked blouses. During dissections in Science, a particular clique even hacked the tails off their rats and kept them as talismans, the limp flesh creeping out of breast pockets like thin, white fingers.

On her first day of school Felicity was fawned over.

‘You’re like a little doll,’ the girls said, as they draped Felicity’s hair over their own straw-like ponytails and compared the pale underbelly of her forearms to their freckled sunburns. At lunchtime they bought her cartons of chocolate milk from the tuckshop, manically grabbing at her clothes and hands to get her attention. But it wasn’t long before Felicity’s shine dulled, and after a few days no one was interested in her strange inflections or the way her fingers were like polished twigs.

My parents felt sorry for Felicity. Whenever she came over after training my mother cooked fancy meals from recipe books and had us sit at the table to eat. My sister bombarded Felicity with questions about her father’s job in Japan. My father switched off the races.

One night after dinner I sat in the bathroom with Felicity as she drew on her eyebrows with a black eye pencil. Most mornings she shaved them off with a disposable razor. When she hadn’t shaved them for a few days she compulsively ran her fingertips over the stubble.

‘Your family are really nice,’ she said, sketching the pencil along her brow.

‘They’re alright,’ I said. ‘They get so excited when you’re here.’

‘Your sister’s so pretty,’ she said. ‘Why don’t you go to the same school?’

‘I went for a while. They were all morons.’

‘Did you have any friends?’

‘Course I did.’

‘It was just a question,’ Felicity said, raising her eyebrows to her reflection.

‘I had this one friend but she was totally mental,’ I said. ‘We were playing Mercy one day and one of her wrists snapped.’

‘What’s Mercy?’

‘Here,’ I said. I grabbed Felicity’s wrists and laced her fingers through mine. I gripped her knuckles between my fingers and twisted until a knuckle cracked. ‘Like that,’ I said, freeing her hands. ‘But harder.’

‘That’s awful,’ she said. ‘Why would you do that?’

‘It’s a game.’

‘Pretty weird game.’

‘It was kind of funny,’ I said, washing my hands in the sink. ‘Plus, her bones were like little sticks.’

‘Did you get into trouble?’

‘It wasn’t my fault,’ I said. ‘She was so skinny.’

I flicked my wet fingers into Felicity’s face and she elbowed me at the waist. She’d changed back into her uniform after kayaking, and wore the blueberry skirt unbuttoned and low on her hips like how the other girls at school wore theirs. A strand of hair fell from her elastic and into her eye. She tucked it behind her ear and peered at herself in the mirror.

‘Your teeth are so white,’ I said. ‘Like little pearls.’

Felicity began to take kayaking as seriously as the seniors training for States. She was always at the front of the pack unless I convinced her to lag behind with me, and she never skipped training, not even if she had a cold. After a while her shoulders and stomach thickened from lifting weights on the scraps of dusty carpet in the boatshed.

‘I’m so fat,’ she said one night at a sleepover, pinching the skin of her thighs.

‘Well, you’re pretty so it doesn’t matter anyway,’ I said.

‘My mum says I’m getting fat.’

‘Who cares?’

‘I’m sick of kayaking,’ she said, collapsing back on the bed.

‘You better not have any of these then.’ I tore open a packet of Tim Tams and bit into one. The chocolate coating was mottled white from being in the fridge. It had no taste and the crumbling biscuit felt like ants in my mouth. Later, when Felicity went to the bathroom, I realised I’d been clutching the half-eaten Tim Tam in my hand the whole time. It had melted into my palm, a fistful of mud.

Unlike Felicity, most of the girls at school were soft and large. They took up space, sprawling their fleshy arms along desktops, hooking their feet around desk legs, skirts draped between their thighs. One of the girls had only four fingers on her left hand. We’d been in Girl Guides together for a short time in primary school. Despite her deformity the other girls had always given her the gifts we made on craft nights, trying to court her affection: flaking soaps moulded into pastel flowers and ducks, and splintered Paddle Pop stick photo frames.

One morning before Soc. Ed I saw Felicity staring at the hand. The girl was at the set of desks beside us, sifting through her hair for split ends and nibbling them off with her teeth. The hand was a rubbery pink, contorted into a stiff curl. She used it as a weapon, wrapping it around her friend’s necks, or scraping the splitting fingernails down their cheeks. She called it her paw.

When she saw Felicity staring, she jabbed the paw out.

Felicity turned back to her text book, but after a minute was gazing back across the desk as though hypnotised.

‘Can I touch it?’ Felicity said. She leaned over to where the girl was balancing on the back legs of her chair. The hand rested limply on the desktop like it wasn’t a living thing. Felicity moved her own hand tentatively. When she brushed the girl’s scaly palm with her fingertips Felicity jerked her hand right back as though the paw had electrocuted her.

‘Does it hurt?’ Felicity said.

‘Nah,’ the girl said. ‘It’s always been like that.’ She drummed her fingernails
against the desk and turned her chair towards Felicity. ‘Your dad lives in Japan, right?’

‘Only sometimes,’ Felicity said.

‘That’s so cool.’

‘I guess.’

‘We’re having chips in the park after school,’ the girl said. ‘Come if you want.’

‘Can’t,’ Felicity said. ‘I have kayaking.’

‘Too bad,’ the girl said, reaching into her pencil case. She unwrapped a pack of grape Zappos and placed a lolly on Felicity’s text book.

‘You should wear a glove,’ I said to the girl.

She ignored me and went back to her ratty hair. Felicity chewed on the Zappo and smoothed out the grey wrapper until it was ironed flat. Later, I wrote Felicity a note folded into a tiny square and flicked it on her desk, but she didn’t look up from copying off the whiteboard. When she yawned her tongue was stained purple in the centre like a pinch bruise.

The following week the river was thick with jellyfish. Usually the water was a dull brown, but it was close to clear, as though the blue blubbers were small moons illuminating the river.

‘Are they poisonous?’ Felicity asked as she rested her paddle along the pontoon, steadying the kayak as she clambered into the cockpit.

‘Only if you fall in,’ I said.

The water was choppy from the shock of frothy waves from City Cats zigzagging back and forth across the river. As we paddled along the bank I tried to spear the jellyfish with my blade. Every time I got close to slicing one it darted deep into the water.

‘You’ll make them angry,’ Felicity said. Her balance was shaky, and she kept her eyes fixed in front of her, not looking down. She’d forgotten to put on a lifejacket. Her thin shirt clung to her back.

‘They don’t have nervous systems,’ I said. ‘They don’t feel anything. How could they get angry?’

When we got to the mouth the rest of the team were already paddling deep in the creek. Because it was the end of term, instead of being in the tinnie the coach had taken a kayak and was leading the group. The sky above us was grey and as shadowy as the damp trees. The mangroves surrounding us like burnt forests.

At the first bend I stopped paddling. Felicity was in front of me. I prodded her in the back with my blade.

‘Let’s go back,’ I said. ‘We can paddle across the river. Go to the park.’

Felicity sighed and looked up into the trees.

‘Come on,’ I said. ‘It won’t take long.’

‘We’ll get in trouble,’ she said.

‘No one will notice us,’ I said, paddling beside her. ‘Look how far ahead they are.’ The last of the girls had turned around the second bend and were disappearing further up the creek.

‘I just don’t see the point,’ Felicity said.

‘What?’ I said.

‘I don’t want to,’ she said. ‘I don’t want to go with you.’

Felicity rolled her paddle along the cockpit rim, her water bottle sloshing between her feet. Falling, blackened leaves made tiny ripples in the still water. The string bracelet I’d weaved her twisted around her ankle like a multicoloured snake.

‘Fine,’ I said, reaching for the bottle at her feet. ‘Fine.’ The white food particles from Felicity’s backwash looked like Sea-Monkeys contaminating the water. I took a sip and the stale water felt thick and warm. I stared at Felicity’s shirt and she looked down as well. Goosebumps burst from her arms like lavender hillocks.

‘That was pretty stupid of you,’ I said, tightening the buckles of my own lifejacket. I tossed the water bottle into the mangroves and started turning and paddling up the creek, back onto the river. The sky had turned pale green, the infested water an expanse of eerie blue as translucent monsters riled beneath the surface.

Marjon Mossammaparast

IMG_2998Marjon is a secondary school teacher of English/Literature residing in Melbourne, Victoria. Her poetry has been published in Australian Poetry Journal, Antipodes, Southerly, The Moth Magazine, Island, Gargouille, Blue Dog, and Going Down Swinging, and am forthcoming in Contrappasso magazine and The Australian.
  
  

Goodbye To Mother

Wet fog rolls over the city as you roll out,
Upon the water.
We row you out
Over the anchors, into the channel
To scatter flesh preternaturally made dust
Where the dead can finally walk like the miracle.
Which way will you float Mother?
Along which blue corridor shall I lap in the dark
For your hand
When all I am is body,
The heaviness that sinks under the swell?
We are gathered here, the ungathered
Clutching you to our bosom,
Drifting with the tide,
Where once you heaved us out of
And gave us to earth.
Who will name me now that you are everywhere
But silent look on this great parody,
This elemental shadow-world?

Catherine Cole

Photo on 2013-05-13 at 18_42 _2Professor Catherine Cole is Professor of Creative Writing at the University of  Wollongong. She has published novels and two non-fiction books. She is the editor of the anthology, The Perfume River: Writing from Vietnam and co-editor with McNeil and Karaminas of Fashion in Fiction: Text and Clothing in Literature, Film and Television, (Berg UK and USA, May 2009). She also has published poetry, short stories, essays and reviews.

 

from War Aphorisms

21.

If you fuck in the fields on a summer night the moon will appear at midnight.
Such is the nature of elongated days that when at last you see a face in the enamelled sky you must remind yourself not to be afraid:
it is just the moon, veiled and bursting.

22.

I stand on the edge of a field, on the edge of a trench full of poppies, runaway barley, weeds.
In the trench is all history since 1914.
Isn’t a trench a cruel thing?

23.

Two hares box in the frosty field,
their hind legs turning hoare to crystals.
A halo of frost around their heads, ears long flat ribbons.
Naked fun.
They disappear, white tails the last of them.

24.

Sometimes a horse looms from the mist,
ghost or real, who can tell.
It’s hooves send clods flying.
I know horses.
I know mist.
I know soil.
What truth can be found in that trinity.

25.

An old stone wall with eighteen bullet holes.
Probing fingers enter the wall.
If the souls of the dead need somewhere to go it surely must be holes filled with abandoned swallows’ nests.

Meeta Chatterjee

meetaMeeta Chatterjee is a lecturer in academic language and literacy in Learning Development, University of Wollongong. Her academic and professional interests lie in the area of doctoral research and writing. She has written about humour in Indian women writing in English for her Masters thesis. She has been writing poems for decades, but has only published occasionally. She enjoys the challenges of creating multisensory images to tell a story.

 

Erasure

Those who saw her go, deny that she was naked.
She tugged the sky off the clothesline, wrapped it
round herself and walked into the river-they said.

Fourteen days later lamps and rumours flared
on the banks of the Ganges.
Fishermen say that she strides into the village
stark naked, on full moon nights.
She ignores offers of clothes,
ties her wet hair into a bun
and walks past the living.

Some say she visits the temple, clangs
the bells to crescendo and then
dissolves into the flame of an oil lamp.
Others have seen her behind the abandoned house
beckoning drunken gamblers.
“Very unbecoming of a Brahmin girl-even in death”,
they shake their heads.
Others claim that they have seen her big with child
waving her voice at the wind—
her songs naked too.

In her own home, no one speaks of her.
They’ve blacked out her pictures from family albums
and scrubbed her off collective memories.
But on some cold winter evenings, when the sound of the conch
scatters and scatters
through the incense-filled prayer room
images of my dead eighteen –year old aunt dance
on grandma’s eye-lashes
asking to be grieved.

 

Landscape: Travelling Through South Australia

The coastline disappears-bewitching in its flouncy, racy skirts and the
promise of bare skin.
The smell of the rainforest and the seeds in the shade is memory.
The sky is a chalice, upturned on land –the  last drop gone.
Occasionally the soil desperate for seed and water
parts its itchy legs
stealthily to irrigation and grows guiltily pubic.
But mainly, the land blisters and throws up dead animals on the veins of roads.
Bones jutting, skin broken and broken again, the land endures the sun
roaring its orange pulp of heat.
At nightfall, the sky and land meet like wounded saints- too tired to sleep.

‘Erasure’ and ‘Landscape: Travelling through South Australia’ were published in The Journal of Literature and Aesthetics in 2004.

Elizabeth Burns

DSCF0666Elizabeth Burns lives in Lancaster, United Kingdom. Her latest collection of poetry is Held (Polygon) and her pamphlets include winner of the Michael Marks Award for Poetry Pamphlets, The shortest days (Galdragon), and The scarlet thread (Wayleave), which is currently a Poetry Book Society featured pamphlet.

    
 

Swallow

When I was a swallow, I could fly ten thousand miles
without stopping. I could swoop from one side
of the globe to the other, over land, over sea
in one great sweep. When I was a swallow
I knew when to leave the wheeling sky
above that high wall where I nested:
I could feel days shortening, evenings
growing darker. I did not want winter,
I wanted summer always under my wings,
each year I headed southwards, southwards,
as if the south pole pulled me there, as if by this
I could outwit the turning earth, the lowering sun.

Joseph Han

HanJoseph Han was born in Seoul, Korea and raised in Honolulu, Hawaiʻi. His fiction and poetry has appeared or is forthcoming in journals such as Bamboo Ridge Press, Word Riot, CURA: A Literary Magazine of Art & Action, Cha: An Asian Literary Journal, Eclectica Magazine, and Hawaiʻi Pacific Review. As of Fall 2015, he will be a Ph.D. candidate in English at University of Hawaiʻi-Mānoa.

 

Real estate (dream house)

This burning house belongs to my father
waiting for wood to buckle under

the weight of heat. The realtor said
he could keep the land if he remained

standing in the center. Like a good son,
I crawl around beams, past melting

plaster burning ripples, searching
for father through walls. He kneels

in the living room, writing plans with
his finger dipped in soot and saliva

mixed in an empty cup of soju.
We’ll build a hagwon here, father

and son. Next round waiting to boil.
I sit by him and pour in the glass

meant for me, unable to tell sweat from
tears on his face. On my own. They taste

like ocean. He grabs his lower back in pain.
You can teach English, I can drive students,

give a tour. His face melts under eyes,
cheeks sagging. No more taxi cab.

I wrap myself around his legs to hold
him in place, a beggar wondering how

much left of us can burn. Please, no less.
My father stands tall – a faithful candle.


Lachlan Brown

LBROWN for MascaraLachlan Brown is a lecturer in English literature and creative writing at Charles Sturt University, Wagga Wagga. His first volume, Limited Cities, was published by Girmondo in 2012 and was commended for the Mary Gilmore Prize. He has been shortlisted for the Blake Prize and the Newcastle Poetry prize. His poems have appeared in journals including Cordite, Mascara, Antipodes and Rabbit. Lachlan is currently working on a manuscript that explores his Chinese-Australian heritage, his grandmother’s hoarding, and the complex promises of the Asian century.

 

 

(self-justification)

Every stupid thing has a story
that ties it back to the house.
Words follow me outside,
threaten quiet atrocities.
But after a while I stop
listening to outro tracks,
the security door locking on its own,
my body leaving to fill the sixth dumpster.

 

(even chance or, why you find it difficult to speak with people in a lift)

peaceful evil
turbo-dieselling
consumer sentiment
with your dumb tongue
like that folding bicycle
your uncle brought
back from Taiwan
in his decade of tricks and risk