Mascara Literary Review

  • Issue 28
  • Masthead
  • Submit
  • Subscribe
  • Archives
  • Review
  • Research
  • Programs and Events
Issue One – April 2007
Issue Two – October 2007
Issue Three – March 2008
Issue Four – October 2008
Issue Five – June 2009
Issue Six – November 2009
Issue Seven – May 2010
Issue Eight – October 2010
Issue Nine – May 2011
Issue Ten – October 2011
Issue Eleven – June 2012
New Worlds – Asian American Poetry
Issue 12 – November 2012
Issue 13 – June 2013
Issue 14 – December 2013
Issue 15 – May 2014
Issue 16 – October 2014
Issue 17 – April 2015
Issue 18 – October 2015
Issue 19 – September 2016
Issue 20 – April 2017
Issue 21 – December 2017
Issue 22 – June 2018 China Transnational
Issue 23
Issue 24 ~ Class Fetish
Issue 25
Issue 26
Issue 27
Issue 28

Poets Corner: Interviews

Recent Posts

  • Why specific strategy is needed for the CaLD literary sector
  • Liel Bridgford
  • Samuel Cox reviews Harvest Lingo by Lionel Fogarty
  • Purbasha Roy
  • Javeria Hasnain
  • Marion May Campbell reviews I Have Decided To Remain Vertical by Gayelene Carbis
  • Mohamed Irba
  • Lesh Karan reviews Acanthus by Claire Potter
  • Announcing the new Mascara team ….
  • Fernanda Dahlstrom reviews Freedom, Only Freedom by Behrouz Boochani
  • Kirli Saunders
  • Kavita Nandan
  • Naomi Williams
  • Maki Morita
  • Anthea Yang
  • Patrick Flanery
  • Announcing the 2023 Mascara Varuna Writers’ and Editors’ Residency
  • Adele Dumont reviews Childhood by Shannon Burns
  • Michelle Cahill reviews This Devastating Fever by Sophie Cunningham
  • Mascara Varuna Writers’ and Editors’ Residency Longlist
  • Anneliz Marie Erese
  • Gayatri Nair
  • Christopher Cyrill
  • Vyacheslav Konoval
  • Lesh Karan
  • Morgaine Riley
  • Nilofar Zimmerman
  • Tessa Lunney
  • Min Chow
  • Peter Ramm

World Literatures & the Global South Conference. Keynote: Gauri Viswanathan

Newsletter

My Tweets

Tweets by @mascarareview

© 2007-2023 Mascara Poetry Inc. First Published April 07, ISSN: 1835-4017

All Rights Reserved All work in Mascara is the sole property of the artists and may not be reproduced for any purpose without permission.