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Ivy Ireland

Ivy Ireland is currently studying an M. Phil in Creative Writing at the University of Newcastle. Ivy has a penchant for mysticism, cosmology and cabaret performance. In 2006, Ivy worked as a co-cordinator for “The National Young Writer’s Festival”, and has performed her poetry at various events including ” This Is Not Art” and “The Peats Ridge Festival” . Currently, Ivy is a co-director of the performance troupe, “The Lovelorn Living Party”. She is one of the Australian Young Poets Fellows 2007.

Wheel

‘For you yourself have created the karma that binds you.  You are helpless in its power.
And you will do the very thing which your ignorance seeks to avoid.’ − Bhagavad Gita

1. MULADHARA

Off working for peanuts,
off the books,
off in some country where I was not allowed,
I fell down two flights of stairs
on my base chakra.

I did not see a doctor,
I knew better.

Six months later,
back on a slab in my rightful place,
dissection discovered
I had fractured my coccyx.

That type of thing never heals.

The root:
The grinding bone:
The tail that was:

I began the enquiry:
Injuries to the base chakra,
emotional or physical,
create uncertainty,
birth a wanderlust.

Back in that cold country,
lying prone on my solar plexus,
embalmed in numbing spray Laura’s ma stole
from the Falls Rd hospital,
I planned my escape–

Root cracked and numb,
no personal loophole in spacetime,

no tail to curl around the branches
of my family tree,

no train to wind around my lover as he twitched,
uneasy,
beside my blocked Kundalini.

Him: you’ll be alright,
you don’t need it,
we haven’t had tails for thousands off years,
at least.

Me: we nurse ghosts of all that has come before;
My tail will keep you awake at night
when I am gone.

2. SVADHISTHANA

One red blood rush.

It is correct to say the
sex
chakra contains the obvious pulleys and levers,
our basic understanding of the cycles:

Low heat rising.
The demand.
Whatever comes next.

It is also correct to say it contains all the dead:

The threads are sung back into our bodies,
we fuse them through only to gush them out again.

3. MANIPURA

Sol and Luna got married in my guts.
First flurry was fear,
then undying love,
then temperate flow like the guru said.

For followers of Kali,
union of irreconcilable opposites is All −
wine and illicit sex at night,
yoga and fasting in the morning.

I’m afraid of things that dissipate categories,
that are The Ultimate Aim.

Still, when you caused it,
something snapped in there, like the
corners of my mouth spanning outwards
in cuts.

4. ANAHUNTA

“gone, gone, gone, gone beyond, gone altogether beyond, oh what an awakening”
– Heart Sutra

don’t for a second think this one’s going to be about St Valentine or this or that fat goblin with a bow or even you
and me or this and that kissing some such under the waterfall or any other veiled reality the Buddhists tell me I
don’t understand or really participate in nor do I wish to

when I felt the invitation unfold from yours I wanted to hide but instead I wrote back

there is debate over the true colour of the heart chakra some say green of all colours it is compassionate green they
say others say rose pink which makes more sense to me though what would I know and anyway I hate rose pink
does that mean I hate hearts my own heart

that’s melodramatic and ridiculous how could I hate my own heart

in yoga meditation she tells me to pluck the twelve-petalled flower she says it’s gold residing there at the pump site
and send it to some significant one but I get scared that if I do that I won’t have any core to go home to when
it gets too rough out here on the sea of televisions so

I keep it for myself then feel selfish then decide to give it out to everyman

there are actually seven heart centres according to this or that holy text my friend Reuben says he’s got heart
centres in his heels they all represent a different love isn’t there a first principle in all this excess I want the right
doctrine to represent everything I want to feel it feel it for all and sundry no differentiation I want it to be atomic
that which can not be broken down

why does it always end up here at integers

5. VISHUDDA

I had a Inanna icon once,
believed in it,
for she is the oldest and the first.

Once, I held her up to my ear,
so she might say ancient things
my bleating throat could not.

She, too, refused to speak.

I got ill,
laryngitis in all this quiet,
moved house or country.
Somewhere in between,
Inanna fell out of the box.

I had thought she was impervious.

They say if you ask and mean it,
she will appear in the sky, the Great Goddess,
bless you with a boon.  Perhaps say something.

There is sky blue where all I can’t say                                                           I wish for
There is the non-verbal                                                                      stored elsewhere
There is the silence held dear                                                      haunting blood later

When they adjust a throat chakra,
they whirl the 16 petals to the left to let the emotions out.
The patient might start muttering things uncontrollably.

the first thing I mutter is Science                                        where my bones are kept
the second thing I mutter is God                                          where the disguise is kept
the third thing hints at Unity                                           since I am now impervious

6. ANJA

there is a superstring
replacing the unbreakable
electron with something that
could be snapped
if we desire it

little threads of sea
connecting the
Oh Svaha
topography of my body
to its instigator and
back
through the firegate to
O Agni             You

7. SAHASRARA

honey around the outside
inside white

white

like staring at fractals until your brain bursts
sahasrara is the channel vessel

inner lotus of 12 petals
outside honey flower has 960

what’s the meaning of this angel ladder?
why 960?

reclining in a quiet grey bubble
the pineal gland remembers.

Cath Vidler

Cath Vidler edits Snorkel (http://www.snorkel.org.au) a literary magazine specialising in creative writing by Australians and New Zealanders. Her poems have most recently appeared in Turbine, Trout, Otoliths and Nthposition. Her first chapbook, Cloud Theory, is forthcoming from Puncher and Wattmann (http://www.puncherandwattmann.com).

 

 

Five Collaborations with the Google Poetry Robot

1. It’s late

It’s late. I buy DIY bonsai potato home shrines. I wish to see The World on the Internet. I might Cheat if the original painting is not framed by titles like Falcon 4 etc. My favorite food is still more secure than Windows! I hope to spend 2 nights at the Apple Store online or at any site based on Xoops 1. I dream that one day all volcanoes on Earth are shrunk to epigrams that inspire wonder and provoke a buildup of Alternatives.

2. The first person.

The first person is a relative of mine. I think this is FUNNY. My mom Calls me Brenna but my friend Leonard has recently quit using names because he thinks they are flimsy firewalls.

3. Lists.

Lists. I work at Burger King Corporation. Bill Gates was Once Arrested for switching Policies on the Use of Knowledge. I love my Mac because when I’m hungry it says Here you Are and gives me a Link to a story about a Different Kind of Blue. Menus. You never get tired of reading Commercialized Lists. I like to eat ‘Cultured’ items but Vows to stop rubbish-dumping at Multistorey buildings are exempt from nutrition.

4. See you later Alligator

See you later Alligator. It’s still too early to commit. My cat is going into Opposition because many districts base their curriculum on areas of Special Expertise. I hope you have time to Think ahead. My favorite Word often changes depending on current errors. Adios. I enjoy Flying low over farmland in South Georgia and its associated Enterprises in India including Sinde. I learn Greek phrases and indications of Geographical origin. Thank you again for having me in your Language.

5. Winter in my Garden

Winter in my Garden is asleep and twitching softly. I saw deserted trenches and the difficult Path. I want One Of Those Days when the blank page fills up with Boeing and applicable privacy Laws are better defined. Why do I Have to make my avatar look like the second most Popular recipe from kelloggs? I never Promised to fix the roof while there’s a galaxy to grow. I might See the Boom shadow falling on the Cedars.

Libby Hart

Libby Hart was a recipient of a D J O’Hearn Memorial Fellowship at The Australian Centre, University of Melbourne in 2003. Her suite of poems, ‘Fresh News from the Arctic’ won the Somerset National Poetry Prize in 2005. Her first collection of poetry, also titled Fresh News from the Arctic, was published in 2006 by Interactive Press and has just won The Ann Elder Award for poetry.

 

 

Light

I see you there, standing in only your legs
and a cloak as dark as winter night;
your one eye gleaming, as if a glass eye.

And true, it is glass. Yes, it be.
For my doctor, with hands dipped by chemical
performs a magic before me.

In focus, I gather its light
and dare not move.
I feel the weight of feathers.

It’s the fallen bird that keeps me grounded
to this chair and to this room.
To the very stillness of things.

Note: This poem was written in response to Hugh Welch Diamond’s
photograph, ‘Seated woman with bird’ (c.1855). Diamond was one of the
earliest photographers. A doctor by profession, he decided to specialise
in the treatment of the mentally ill and was appointed to the Surrey
County Lunatic Asylum where he produced numerous photographs of his
patients. Diamond believed that photography could assist in the
treatment of mental disorders.

 

Your Body Bare

‘According to Inuit culture in Greenland, a person possesses six or
seven souls. The souls [are] scattered throughout the body.’
Annie Dillard

Hold your many souls like a juggler, this is Inuit land.
The chest and arms, all Inuit-souled.
Even the eyes have two souled-suns that burn a gleam
through a viewer’s head.

This is the breadth of your many engines:
a hand, a moon-shaped sigh
a cheekbone, rare
a glimpse of finger.
The turning of the body
in graceful-gracelessness.

You are like a horizon
bending and shaping itself at will
a balloon of escape,
a lung of tree.
The form of things to come.

 

Flux

Nightfall comes hesitating with light.
It reaches out in short, sharp Morse Code.
Indecipherably lingering, and then it leaves.
All I have are three letters: I.O.U.
Then it’s gone like the wind that’s forgotten its anchor.

 

Sleepless Dreaming

Curled and weighted like an anchor
you’re as heavy as sympathy
and as warm as December.

Waves roll in from the half-opened door.

 

Adam Aitken

Adam Aitken is the author of four collections of poetry and a new book is forthcoming from Giramondo Publishing next year. He is currently living in Cambodia. (Photo by Juno Gemes)

 

 

Fin de Siècle

Between two climates she’d be waiting, the slender young émigré
so dark and delicate the wind passed right through her,
always there before you, the bright architect of love
who knew her way around the café chairs, the Latin lovers.
How she’d inspired that horizon, the penthouse, the tower.
Greek, French, Ukrainian, all of the above? No-one knew for sure
what drove her south one winter, a whim or a storm?
Her age or why she had promised to see you again,
or why she always promised, sighing, mood wracked,
hat wide-brimmed with daisies and gliding towards you
through the fun palace colonnades before sunset – no one knew
why she always promised to be there
under the whitewash crumbling that left its stain
on your waiter’s apron and in your hair, as if you had emerged
unscathed from its collapse, the blast driving you back,
grasping your last tip.
She would arrive after work (though no-one knew what she did),
complement your menu, then a final swim
before the chill shadows enclosed the beach.
Statues murmured in the dusky shadows, mascara dusk
and in the golden bracelet of a rockpool children sparkled
among their castles, before they flooded at high tide.
Were they her children? If so they could never be too careful
building their moats, before she moved to a bench in the sun.
The Latin lovers waved and she didn’t wave back.
She was the pleasure of the world passing, about to shake
her wings free of the disaster, and take off, and leave you
once again thinking this had been the best century ever
and you were haunted by what she could not forget,
already beyond your knowing, what she is and was.


Fable

That year they rode low in the water
on ballast of oaths and convicted emotions

moved on to springtime ports
past the Pig and Sows reef
and the ridiculously expensive prison
lost steerage in a lull of unconcern
and absent-minded fishing.

In those days an invasion
was a kind of plague jellyfish,
laid back remorae, or cold front
that blew in early, unseasonal.
Everyone was hitching rides.
When someone entered
new seasons of exchange– fluids, fire,
language and metal–
someone else exited.
They were what they made, and what they couldn’t
someone else did.
Another’s lack seemed
no more than their own.
All land codified
as the visible
scoured and clearfelled,
the land
of the forever language.


At Rozelle Hospital

At Rozelle Hospital, his final destination
some quartermaster who’d cracked
drew
on a sandstone pier
a worldly fish, a navy frigate in its port,

a tropic bird of seed.
Full sails, great promise,
a kind of escape
from a madder Captain.

King’s botanist inside
who made the book for all
engraved, exotic
with his names – each new flower and tree

and new stiff Latin, the whole evolutionary kit,
the iron bars of  genealogy.

Doctor, I ask you: what inky blot liberates
or draws together us
between the covers of hand-bound books
when you want your name
a legacy to crown the sky?

Fig trees, for instance, just
appear between the stones, green
as immigrants or refugees
hidden by the dark?

Are they natives now by instant decree?
You wear their leafy heads, and see
yourself once again,
historical footnote, crazed misfit

scattered, afraid, frozen
in unseasonal rain.
Or are we wasted now, due to
lack of name or use: seedy fruit
scattered in the grass,

imports that multiplied?
What of the bigger machines, like
destiny, meaning, sanity?
The fork and divergences
of who we want to be?
The rigging
on that ship
will catch the breeze,
then what?

 

Ionian

“are war and peace
playing their little game over your dead body?”
Jorie Graham

If, Eastern Asian time, you arrive
at the cove
to begin your holiday,
small figures camp in ruined hills,
waiting to advance.
Luckily we have
a Western point of view:
all timetables and maps: each hill,
the coordinates to fame
the minefield, the track
to that strategically useless
hilltop village, a tour guide,
and parking for buses.

Now, the snipers (retired codgers
your great-great grandpa couldn’t kill)
fish on the quiet beach, sipping
hot mint tea.
The winning cavalry
ride scabrous donkeys
and  for a nominal sum
escort you through the ruins.

Tides regroup like armies
and the opalescent waters
whet your Byronic taste
for filigreed pistols, severed heads,
slavegirls, broken columns. 

Filling the boats with trench-bootie:
proven property, like heritage,
gorgeous sunsets, or the exact
scent of victory –
too subtle for my words.

 

Jill Jones

Jill Jones’s latest books is Broken/Open (Salt, 2005), which was short-listed for The Age Book of the Year 2005, and three chapbooks: Fold Unfold (Vagabond, 2005). In 2003 her fourth book, Screens, Jets, Heaven: New and Selected Poems, won the Kenneth Slessor Poetry Prize. She has collaborated with photographer Annette Willis on a number of projects. She has been a film reviewer, journalist, book editor and arts administrator.

 

 

What Is This?

While we’re talking light passes, though it’s easy to ignore
its radiant shift. We’re neither passengers nor eternal,
though we trip on each other’s recall, there’s another history
being rearranged in shades drawn on ground.
I say, it’s how you think in circles, wanting to merge rather than mark.
(The four corners of a centre tremble as they touch space.)

Our argument may ignite small layers or return to its great elasticity,
it’s no more than extending a mirror into the existence of zero.
But I can do nothing unless I lose my own track in land that made the curve
neither fleeting nor continuing, but always shown on ground.

Here are the difficulties – of clusters, pebbles, mind moon, that great
vacant sign, an eternal jewel, the head’s empty bucket, containing
all things, yet without rearranging itself within clarity’s blue shadow.

The light     of your fingers     skin under sky.

– after Lightpool series, Salvatori Gerardi

 

Matching Colours In a Flame

Is it the way silence peels away the hours
or light inches too near to death?
(It gets closer to take hold of my hands)

I will not worry over the heat
but go out into the angle of a demand.

How a door shouts or afternoon is lacking
when meanings double and nights increase
or clouds break your face, imperfect and happy.

 

Bottlebrush

City birds are living on their coast
of roads and industrial cranking
among the blinking dive of motors.
It’s all leaky rather than transparent
like the earth hum’s low and constant herz.

An unknown screech comes
from middle distance
and means little from a window
even if you’re well.

There’s been turnover since the shooting
the café now sells furniture
and amongst papaya, cardboard boxes
limp greens on pallets, the pickings
are as daily as the leaded and diesel
descending those old forgotten miles
above. In the midst
here’s king pigeon, sparrows, starlings
the old world rubbish sticking
in the claw, buggy feathers and shit splat
dodging all the colour of skies.

And parrots hang from spring
when ancient honey
sings within a callistemon’s
brief and red hours.