Issue 12 – November 2012

Editorial

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Poetry

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

WWF Short Story Prize

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Featured Poet

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Featured Writer

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Deborah Cass Prize

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Fiction

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Flash Fiction

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Creative Non-fiction

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Editors’ Blog

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Writers In Detention

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Multimedia

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Interviews

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Translations

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

New Worlds

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

New Worlds Feature

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Programs & Events

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Avant-garde Awards

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Photography

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter

Reviews/Essays

• Brett Dionysius
• Paul Kane
• Martin Edmond reviews The Recluse by Evelyn Juers and Varamo translated by Chris Andrews
• Sunil Badami reviews Alien Shores Ed Sharon Rundle & Meenakshi Bharat
• Paul Giffard-Foret reviews The Walls of Delhi by Uday Prakash
• Jen Craig reviews The Darkest Little Room by Patrick Holland
• Jennifer Mackenzie reviews Rimbaud in Java by Jamie James
• Vrasidas Karalis reviews Southern Sun, Aegean Light
• Geoff Page reviews Rosemary Dobson’s Collected
• Tina Giannoukos reviews Night Train by Anthony Lynch
• Nathanael O’Reilly reviews Letters to My Lover from a Small Mountain Town by Heather Taylor-Johnson
• Christine Ratnasingham
• Diane Fahey
• Red Dirt by Fikret Pajalic
• Soft Things by Sushma Joshi
• Madeleine Slavick: a photographic essay
• Notes on a Drowning by Laura Woollett
• Silver Plums by Ankur Agarwal
• Jal Nicholl reviews The Red Sea by Stephen Edgar
• Toby Fitch interviews John Tranter