Mascara Literary Review

Issue Five - June 2009

Belinda Lopez

 

Belinda Lopez is a young Australian journalist working in Jakarta, Indonesia. Between writing stories and editing for an English-language newspaper in the capital, she has been hiking her way around the many islands of the country, jotting down poetry as she goes.

 

To Philip Larkin, from Singapore.

 

With the promise of clean,

I was morally confronted

by sex shops, and fingers

entwined on trains.

Even still, sterility ran me inside-

a blessing I was alone,

I dived into solitude

like a finely sculpted boy,

I lunged in a store

where books are hailed the profit,

pushed past a muddled mess of man

who’d found solace in little words

strung together,

and I searched for you,

L, L, L,

tongue flicking my palette fast.

Found an anthology from home

unknowns- even for poets-

that doesn’t matter,

they wrote of Glebe

and left-wing smells

you would have found it bum

so I didn’t buy it.

Oh God, I wanted to feel

Sappho Cafe and messy dusk

tuned to the love songs of

social invalids.

But you weren’t there.

So I left with E. E. Cummings

feeling like I’d taken home the wrong man.

 

 

Ibu

 

Morning calls draw her up from bed

an icy splash to shock her into life

she refuses the hot water in the house.

And Allah takes in prayer as

cracked barefeet genuflect,

soles up to the unrisen sun.

 

Underneath her head scarf

her hair is black silk,

She removes the tattered cloth

and it falls around her like in the movies

 

and a woman of 40 is 18 again

dark eyes and cheekbones to the stars,

is this what he sees in crossed pictures,

before he delivers blue circles,

despair for emptiness and poverty,

sweat and truth:

that he is nothing, and she has the strength

he can only dream of in bubbly visions?

 

 

The source

 

At parties I know politics like table manners

Our egos are champagne glasses

drink up, name drop

and see who'll gulp it down.

The secret is subtlety

never mind that I tally up the

mentions in the rags.

Now at night I hold a pillow, not a

a spouse with good connections.

20 years ago I would be lapping up the

giggles, her watching me wriggle

like a worm between the sheets

I would have stopped for a blue

sky and wondered if something

bigger made it and smelt a beggar's

musty breathe and felt my stomach sink

in love for him.

Now ecstasy is musty paper

with rows of little lines.